
TEACHING
Classical Piano Instruction
Competition & Conservatory Preparation, San Diego
Student Spotlight: Melissa's student Arianna Gago won the Grand Prize in the live round of the IAMPT International Competition at Soka University, a win that came with a performance at Carnegie Hall this past November.
Melissa Evans Tierra brings over 20 years of teaching experience and conservatory-level training into every lesson. A Bachelor of Music from Baylor University, a Master of Music from the Cleveland Institute of Music, and an Artist Diploma from the Royal Conservatory in Antwerp, Belgium, sit behind her teaching, the same foundation that shapes her career as a concert pianist and champion of living composers. Being an active performer, currently on contract recording the complete piano works of Italian composer Lorenzo Milani, is essential to how she teaches: she can demonstrate everything she asks of a student, and draws on decades of real stage experience to help them handle whatever comes up in their own playing and performing. That same creative curiosity carries directly into her studio: she trains students for competition and conservatory success while pushing them, as she was taught, to find their own musical voice.
In 2016, Melissa and her husband, Chetan Tierra, took the leap and co-founded the San Diego Piano Academy. What started as a small studio has grown into one of California's premier piano institutions, now serving nearly 200 students across a faculty of 12 top-flight instructors. Every lesson at SDPA, Melissa's own included, draws on Chetan's SMART practice methodology, a systematic approach that helps students progress three to four times faster than traditional methods.
Teaching Philosophy
Melissa's goal is to create artists who think for themselves, with a high level of technical accuracy and polish in their playing. Most students who come to her need to rebuild their technical foundation first, and she spends real time refining that technique so they have the skillset to move confidently into more difficult repertoire. A big part of that is teaching students how to use a metronome to their advantage, to level up their playing and use their practice time effectively. Most arrive without a real system for practicing, and once they're on the right path, the progress is dramatic.
One student who started with Melissa about a year ago couldn't yet pedal reliably and would hesitate every few measures just getting through a simple Bach prelude. A year into working within this system, he performed Chopin's Nocturne in C minor, one of the more technically demanding nocturnes, from memory, with full control and no hesitations, and he's now considering pursuing music in college.
From there, she focuses heavily on musical intent: discovering the meaning behind the music from the student's own perspective. She asks students to learn about the composer and the history surrounding the piece, then find, from their own experience, the emotions that turn a technically correct performance into one that genuinely engages an audience. She also works on the practice habits that lead to strong memory and performance under pressure, since confidence on stage is built long before the recital, in how the practicing was organized from day one. Alongside all of this, she teaches sight-reading using a pattern-based approach that helps students read faster, and makes sure theory is part of every student's training, since understanding what's on the page is what makes an accurate interpretation possible.
It's conservatory-level training, applied to every student who walks through the door.
"Melissa is not just an extraordinary piano teacher but a mentor for anyone who is serious about the piano. She has always been very patient and adapted her teaching to our child's strengths, her learning style and personal goals, inspiring her to work towards high standards both technically and musically."
— Raul
Composition Coaching
Because her own performing career is built on championing new music, Melissa brings that same spirit into her teaching. Any student who's interested, at any point in their work together, has the opportunity to try composition coaching. Learning to express an idea in one's own musical language is one of the most powerful ways to understand how a composer expressed themselves in a piece a student is studying, and it's also one of the best exercises there is for showing real mastery, since it pulls together everything a student has learned about theory and technique into something they've made themselves.
One student, Lochlan, took that a step further: he composed his own piece and went on to win First Prize for performance art in San Diego Unified and the San Diego Public Library's Read! Imagine! Create! competition, performing it himself.
Performance & Enrichment Opportunities
Studying at SDPA means more than a weekly private lesson. Students take part in regular faculty recitals, masterclasses with visiting artists (past guests have included pianist Daniel Shapiro of the Cleveland Institute of Music), and SDPA's honors and certificate programs, which recognize performance-based achievement and can strengthen a college application in any field of study. Melissa and Chetan also draw on their own connections with professors at conservatories, universities, and summer festivals to help students find the right next step, whatever that looks like for them.
Student Achievements
Melissa and Chetan have helped students win top prizes across San Diego and international competitions, earn acceptance to summer festivals to study with conservatory faculty, and secure scholarships to major universities and conservatories.
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Arianna Gago won the Grand Prize in the live round of the IAMPT International Competition at Soka University, performing Mendelssohn's Song Without Words, Op. 19, No. 1. The win included a performance at Carnegie Hall this past November.
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At the 2026 Chopin Festival: Arianna Gago won 3rd Prize (Nocturne B), Lalo Villodas won Honorable Mention (Nocturne A), and Meena Hernandez won Honorable Mention (Nocturne B).
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Arianna Gago won Honorable Mention at the 2026 MTAC Concerto Competition.
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Lalo Villodas was accepted to the Baylor Summer Piano Institute for June 2026; Arianna Gago was accepted to the Colburn Tonebase Piano Seminar for June 2026.
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Lochlan won First Prize for performance art in the Read! Imagine! Create! competition, presented by San Diego Unified and the San Diego Public Library, performing his own first piano composition.
Auditions
Melissa accepts new students by audition only. A trial lesson isn't just about the piece a student brings; she'll also evaluate technique, theory, and reading, since getting a clear sense of a student's foundation and potential from the very first meeting is what makes sure the fit is right for both sides.
To inquire about an audition, visit The San Diego Piano Academy's website and book a discovery call.


